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Favourite family recipes: Mum’s Peanut Cookies

This post has been a long time coming.  I first made peanut cookies in mid-September after obtaining a scanned copy of the recipe from Mum.  In the weeks prior I had experienced a frustrating spate of cooking failures; recipes which had been intended for this blog but had turned out to be disappointing in some way – a grapefruit yoghurt cake that promised spring-freshness but retained too much bitterness, a roasted eggplant salad that I ruined by over-roasting, and a braised fennel dish that was distinctly underwhelming.  I was getting desperate for quality material and needed a sure thing.

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Mum’s recipe for Peanut Cookies was given to her by her mother shortly after she got married over 40 years ago.  Mum made them frequently as they were a favourite in our house, of my father’s in particular.  They are knobbly and brown; hardly a fancy biscuit, but nothing tastes so good as a crisp Peanut Cookie eaten in the briny sea breeze while out fishing on Dad’s boat.  They almost always had a place in Mum’s impressive annual Christmas baking production line.  Even now she doubles the recipe every time she makes them, since they keep for weeks in large jars tightly sealed with greaseproof paper (as seen in the photo below).

It was time, I felt, for me to take up this legacy and claim Peanut Cookies for my own.

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Although I had never made them before, I believed that years of Peanut Cookie consumption virtually guaranteed a perfect result.  I had, no doubt, first encountered them in the womb and had inhaled their essence a thousand times since.  This was going to be easy.  In fact, it must be said that I felt quietly confident that I could actually improve upon Mum’s recipe, enhancing the qualities that I already knew I loved (such as increasing the cocoa to make them more chocolatey) and updating the recipe with a contemporary dusting of flaky sea salt over the tops.

You can just tell where this is going, can’t you…

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Although it’s not specified in the recipe, the first step is to roast the peanuts.  I knew this because I could easily conjure images of Mum emptying large bags of peanuts into the black roasting tray and sliding them into the oven.  Mum always used peanuts that were still encased in their brown skins – an endearingly homely quality that I too wanted to reproduce.

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From there, it all started to go subtly wrong.  The sparseness of instructions in the recipe created an uncomfortable level of guesswork.  The recipe said to “mix sugar and butter” – I assumed that meant to “cream”, but maybe it meant something else?  Needing some guidance I turned to the expert, David Lebovitz, recalling some nugget of baking wisdom that I had read somewhere.  Sure enough, David explained that when making cookies you should only cream the butter “long enough to thoroughly combine it with the sugar”.  One minute was sufficient, he stated; more, and “the cookies will spread too much during baking”.  Well then, one minute it was.

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I added the unbeaten eggs “separately”, which I deduced meant one at a time, beating them briefly into the batter.  The next instruction was to “add dry ingredients”.  I have become quite vigilant about sifting dry ingredients, so I did so, one by one into the bowl.  Part way through sifting I stalled, wondering if I shouldn’t have whisked the dry ingredients together in a separate bowl before adding them to the batter.  This practice is frequently dictated in baking recipes I turn to these days, but in my confidence I had forgotten my own rule.  I was also accustomed to stirring in the dry ingredients by hand, folding them gently to preserve that all-important air and avoid over-developing the gluten.  Although some shadow of memory told me that Mum used her cake-mixer to beat the batter even at this point, I suspected that my intuition would triumph, producing an even lighter result than hers.

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Finally it was time to add the peanuts.  Upon doing so, I realised that I hadn’t roasted enough.  The bag of Kingaroy peanuts weighed 375 grams, whereas Mum’s recipe stated the use of 1 pound of peanuts, or roughly 450 grams.  I was hardly going to go back and roast another 75 grams (even my perfectionism has limits), so I folded in the smaller amount, only to find that the peanut-to-batter ratio appeared distinctly off, with far too many peanuts to be absorbed by the batter.  The whole mixture started to feel too dry and rough, but I forged ahead, hoping that the heat of the oven would meld and soften the ingredients.

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The recipe then stated to “drop on buttered paper on a cold tray”.  Clearly this meant to place spoonfuls of batter (although how large the spoonful, I was not sure), but buttering the paper was surely unnecessary when I was using commercial baking paper?  And a “cold tray”?  That just seemed so bizarre that I chose to ignore it.  I placed spoonful after spoonful onto my tray, sprinkled over a little flaky sea salt and, burying an increasing sense of disquiet, popped the cookies into the oven.

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No sooner were they in the oven when I started to worry again because the instructions were to bake for “20-30 minutes”.  I realised just how accustomed I had become to contemporary cookbook writers with their lengthy and precise instructions.  While their time specifications might indeed be approximate, the author was usually careful to provide a qualifying statement, such as “until lightly brown” or “until firm to the touch”.  I had no choice but to take a guess, pulling them from the oven at 25 minutes to cool on a rack.

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Fifteen minutes later, when the cookies had cooled, the moment of truth arrived.  They smelled the same; they looked pretty much the same; but dammit, they were not the same.  The peanuts were too dry and seemed too large in my mouth.  The flavour was strangely ambiguous and just didn’t hit the mark.  The cookies weren’t bad, but because “not bad” wasn’t what I remembered, to me they were an undeniable failure.  As if it couldn’t get any worse, I found their lumpy shape difficult to photograph attractively.  What was I supposed to do with this batch of disappointing cookies, with the flaky salt now mocking me for being so mistakenly self-assured?

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A few days later I emailed Mum to clarify the recipe instructions.  It turned out that some of my decisions were correct (e.g. Mum agreed that the “cold tray” instruction must have been a remnant of the days when baking was done in a coal range), but others were way off.  The biggest mistake seems to have been that I used unsalted butter because the recipe included salt separately.  Mum uses salted butter as well as the extra salt, so this probably explains the so-so flavour.  In response to my complaint about the lack of detail in the recipe, Mum said:

“The lack of detail….hmmm I never even thought of that because it is a simple recipe and the directions would have been standard in those days. Oh well, try again and hopefully they will be like you remember”

The problem was that I started to over-think it.  I began to doubt my memory of those cookies and was no longer sure if I could recreate them.  I also became intimidated by the ease with which Mum could whip up batch after perfect batch.  She had been making them for 40 years!  During this time she had no doubt developed all manner of tiny adjustments which she had seen no reason to record because she knew them like she knew the quirks of her oven.  I became convinced that the recipe was the skeleton, and Mum the substance, and that despite the misleading simplicity of the recipe, without her guiding presence the cookies would always be missing something.  Some kind of disruption had occurred to the lineage of this favourite family recipe: would I ever be capable of making Peanut Cookies, just like Mum’s?

A few weeks later I decided to make my own version of the cookies.  I replaced the peanuts with slivered, unroasted almonds, increased the cocoa powder even more, formed smaller cookies, and didn’t bake them for quite so long.  I avoided flaky salt altogether, suspecting that this had never been a good idea in the first place.  The result was pretty good, and next time I might even add chocolate chips and dried cranberries.  They’re my Chocolate Almond Cookies.  And Mum’s Peanut Cookies?  Well for now at least, I’ll leave those to the expert.

Mum's Peanut Cookies/Chocolate Almond Cookies

  • Servings: Makes about 25 cookies
  • Print

1 cup sugar
120 grams salted butter
2 eggs
1 1/2 cups plain flour
1 tsp baking powder
1/2 tsp salt
4 tsp cocoa powder (6 tsp if making the almond version)
350 grams freshly roasted peanuts / slivered raw almonds

Preheat the oven to 175°C/350°F.  Cream the butter and sugar together for one minute.  Add the eggs one at a time, blending for one minute after each addition.  Sift the dry ingredients into the bowl and fold through until just mixed using a spatula or wooden spoon.  Stir in the peanuts or almonds then drop spoonfuls onto a baking tray lined with baking paper.  Bake  for 25 minutes.  Transfer the cookies to a cooling rack.  They will harden and become crisp as they cool.

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Journey north

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It only took a few hours of being at Mum and Dad’s place in the Far North of New Zealand for me to understand that I have exhausted much of the photographic material in my immediate surroundings in Brisbane City. While my parents and sisters were no doubt bemused by the frequency with which my camera was switched on, what they may not have realised is how difficult it was to restrain myself from gulping back those two days, swallowing them entirely by my lens. There.was.just.so.much.material. A vase of roses on my dressing table. A cat beneath the passionfruit vine. Bright tangelos on the tree, flowering garlic chives, a dark and liquid river, the grass trimmed just so…oh my, how deprived I am in my concrete jungle.

I know I used to live there, sleeping in the bedroom now occupied by my youngest sister, but that was 18 years ago. During my childhood I was sometimes aware of the natural beauty of the area but I didn’t see it all the time, and certainly not with the intensity that I do now.  I usually think of nostalgia as the rose-tinted remembering of a past that never quite was, but this journey north seemed to give rise to something more authentic than a feeling of warm fuzzy. Mum and Dad’s property, and my sister’s next door, contained enough constellations to make it comfortingly familiar, yet enough changes to make it delightfully new and a times a little strange.

Anaïs Nin is reputed to have said something like “We do not see the world as it is; we see it as we are”. In this case I think my reaction had to do with many things: the knowledge that it would be another year or more before I would return to New Zealand; the realisation that I had not been in the Far North during the extra-beautiful late spring for many years (we had always saved our main trip north for Christmas); a flood of memories and forgotten hopes; a jumble of regrets. The mind and soul are murky and shadowed places but the one thing I was sure of, the overriding feeling, was knowing that Mum and Dad live in a beautiful place made even more beautiful by their labours. I felt my breath being taken and I wanted to capture this; to hold it and take it with me.

Note: hover your mouse over the photos for explanatory captions.

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Wellington in November

The last time I was in Wellington was in early December 2009 when my sister and her boyfriend (now husband) joined Colin and I for a few days of pre-Christmas fun.  What ensued was slightly less than we had anticipated, because the infamous Wellington wind gusted without pause for the entire four days, the skies were overcast and showery, and my curly hair (never the type to particularly behave) pointed every which way except the right one, getting frizzier by the hour.  Despite such inhospitable circumstances, my photos from that trip are filled with great memories of lying under a Christmas tree constructed entirely of coloured lights, an epic night out with possibly a bit too much absinthe, and the City Gallery decorated with polka dots celebrating the Yayoi Kusama exhibition.

There’s something about Wellington that just captures me.  As a former resident of sprawling Auckland and now, sprawling Brisbane, I love the compactness of the city with its small CBD, old houses rakishly perched on steep streets, and the feeling of being encompassed and held by the surrounding Mt Victoria and Rimutaka Ranges.  The population is low (around 400,000) and you’re never far from the ruffled, white-tipped sea.  Besides its natural beauty, Wellington is known as the cultural capital of New Zealand for a good reason.  Wellington is the home of quintessentially New Zealand bands like Fat Freddy’s Drop, The Black Seeds and Flight of the Concords.  It boasts funky theaters and galleries, a great cafe scene, and is the home of the Royal New Zealand Ballet and Te Papa Museum.  You’re just as likely to see a girl dressed in electric blue from head to toe (including tights, shoes and handbag) as you are to see a bureaucrat in a suit.  There is nothing not to love, except from time to time, that frigid southerly wind.

Three weeks ago I was in Wellington for a conference.  Although it was ostensibly a work-trip, it felt like anything but (don’t tell the boss).  I stayed in the city’s most colourful district (Cuba St) and had the best time eating at favourite cafes, browsing quirky shops, and soaking up the atmosphere.  I had the dubious advantage of sleeping little due to the three-hour time difference, a nagging sore throat, and a hotel room that overlooked a street known for its nightlife.  But I chose that street for its vibe, cured my throat with some amazing 100% manuka honey throat lozenges, and fatigue, well that was easily buried by excellent coffee after excellent coffee and frequent blasts of that “fresh” breeze.  Even lunchtime breaks at the conference were punctuated by short walks in the sunshine, snapping photos of people playing hacky sack in Civic Square or running along the waterfront.  Does it sound like I had a good time?

It was interesting to be on my own.  I love to travel with Colin and missed him distinctly, yet it must be said that solitude is a pleasure all of its own.  A friend of mine who has done extensive solo travelling says it’s because whatever you experience is yours alone to treasure.  While whims can go uncompromised, it is also true that there are certain other challenges, dining alone being the key one for me.  My solution was to frequent small Malaysian restaurants where the food came fast and heavily spiced, helping to warm my icy hands.  The other thing that helped was the simple fact of being in New Zealand again, hearing the subtle inflections of accent and humour, making purchases in money with its own sense of propriety (the $2 coin being larger than the $1 coin), and seeing tuatua pie on the menu.  Listening to the welcoming mihi and waiata at the conference teared my eye and shivered my spine.  I didn’t realise there was so much about New Zealand that I missed until I was there.

On the last day of the conference Colin flew over to join me.  Matt picked him up, then they met me in the city in the late afternoon.  After a quick drink we headed home to Nadine and Joel and enjoyed a long night catching up followed by a mellow Saturday.  It was great to catch up with these friends whom we hadn’t seen for over two years, to see how Joel had grown, and discuss potential names for the small girl who at that time was only a few days from being born.  Time flew, and later on Saturday we flew up to Auckland for a further wonderful week in New Zealand.  But I am so thankful for those few days in Wellington on my own, and with others.

My top food picks for Wellington:

NB: Hover your mouse over the photos for explanatory captions.












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Reflections on City

Although I was born in Auckland, my parents shifted north when I was a baby.  My earliest memories thus, are of paddocks and gumboots and a river flowing with earthy water.  It wasn’t until I was 18 that I moved back to Auckland to attend university.  This time the transition took several years to accomplish.

For the first few years in Auckland I went home as often as I could, missing the taste of rainwater, the view from our kitchen window, and the brightness of stars in the blackest of skies.  I well remember the feeling of returning to the city, especially the lump of melancholy that knotted my stomach as we crested a particular hill, from which the view was of buildings laid out as far as my eye could see.

While I relished the opportunity for reinterpretation of self that was possible in the city in a way that it wasn’t back home, this adventure did not come without a price.  Like many people I know, my 20s were an intensely paradoxical existence, where liberation warred with repression; experimentation with fear.  Throughout this, the city was a backdrop of indifference or vitality, depending on my mood.

Over time I adapted and grew to enjoy Auckland.  I developed routines, favourite places, favourite people, but never lost that yearning for quiet, open spaces.  Although Auckland did become a home, I was never totally committed.  Perhaps I never lost that sense of incongruity for a home that wasn’t particularly chosen, and in fact was reluctantly constructed out of an rural-urban push; one fate of growing up in a low socio-economic area.  Maybe it was this need to keep Auckland at arm’s length that kept Colin and I in the suburbs for 15 years.

Brisbane on the other hand, was most definitely chosen and I think this has impacted significantly on my experience.  We’re living in an inner city apartment, admittedly on a quiet street, but with all the excitement of the city just around the corner.  We’ve both been surprised by the sense of community we’ve developed here, with our favourite bar and music venue only a few minutes walk away, and the array of cafes, markets and shops that make up our regular haunts.

We often see the same people at the gym day after day, the same people sipping a beer on a Friday night, and these micro-interactions gradually grow to provide constellations amongst chaos.  Some of this familiarity is aided by sociable types who probably wouldn’t think to call themselves community developers.  The managers at our apartment building are a case in point.  They put out a quarterly newsletter, coordinate a tenant quiz-team at the pub around the corner, organise deliveries of vegetable boxes every Monday, and have installed a 3-hole mini-golf course in the grounds which is the focus of regular Friday drinks.

It’s a bit chicken-and-egg, but I think that connections to people and places grows familiarity which grows home which grows connections to people and places.  Anyway, that’s one way that I’m choosing to interpret these photos, as a picturing of being in and of the city.

Of course, the complicating element is that this home is also ambiguous.  You only have to notice the sparseness of our apartment to sense our reluctance to become rooted.  But the photos say this as well; capturing reflection can also be read as an attempt to integrate self in place, at the same time as the mirror provides only a perspective of that self.  Reflection captures, while simultaneously taking you out of and away: faux-authenticity.

And that thought alone might just be my cue for a tasty gin and tonic, to join me on my rented couch with my laptop growing warm on my legs on a Sunday afternoon – at home, in my home, at least for now.